XR PROJECTS

AMMA
creative director | DOP | editor
"AMMA" is an award-winning and groundbreaking VR experience that blurs the boundaries between physical and virtual realms. Presented on the iconic stage of Tara Theatre and directed by the visionary Abdul Shayek, it was a privilege to contribute as the 360 Director of Photography across Bangladesh and London. Later, wearing the hat of Creative Director (Post Production) and Editor, I spearheaded the film's post-production journey with my talented Indian team.


"Silhouettes of Peace" is designed to bridge the gap between the general public's perception and the harsh realities of war-affected communities. Through the power of AR and artificial intelligence (AI), we will create immersive experiences that overlay the user's immediate environment with realistic simulations of war impacts, such as bombings and the resultant devastation. The project aims is to raise question among the user what if they are in a war situation, how it can affect them and their surroundings, this can foster a deeper understanding and empathy among users towards those who live in conflict zones.
SILHOUETTES OF PEACE
creative director | AR developer
“The Blue Resurgence” is a 270-degree cinematic journey. This panoramic spectacle dives deep into the heart of the Southern Georgia blue whale's remarkable resurgence, as documented by the pivotal 2020 study. Crafted under the auspices of the UNESCO Climate Academy for the UN Decade of Ocean Science for Sustainable Development, my team's creativity was recognized and selected by a consortium of industry innovators. Our project proudly stands as a beacon in UNESCO's Ocean Decade celebrations and The Ocean Agency's digital showcases.
THE BLUE RESURGENCE
video editor

360 DEGREE DOCUMENTARIES
creative director | DOP | editor
At the helm of BigFoot Production, I steered three 360-degree visual odysseys for Coca-Cola India as Director and Cinematographer. Filmed across diverse Indian locales, these short documentaries spotlight Coca-Cola's transformative initiatives in rural India, narrating stories of community upliftment and sustainable living.

360 DEGREE TRAVEL DOCUMENTARIES
creative producer | DOP | editor
Embarking on a mission to showcase Maharashtra's UNESCO heritage sites, I was commissioned to create sixteen 360° VR films. My expertise as a Cinematographer and Editor was instrumental in capturing and presenting the grandeur of these locations, accompanied by engaging narratives provided by the production team.

MAHINDRA FURIO VR FILMS
360 cinematographer
Tasked by Basta Films, I ventured into the corporate realm with the Mahindra Furio VR 360° project. As Cinematographer and Stitching Artist, I played a pivotal role in crafting seven films within a month—a milestone that underscored my dedication to delivering cinematic excellence.

VANDE MATARAM 360 DEGREE MUSIC VIDEO
director | producer | cinematographer | editor
Back in 2015, I dipped my toes into the vast ocean of 360-degree filmmaking. After two years of mixing a bit of this and that, learning what works and what doesn’t, I finally pieced together my very first all-around video in 2017. It wasn't just any video; it was a whole new take on the classic "Vande Mataram," spiced up with fresh beats and tunes.
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For this musical adventure, I teamed up with the wizard of sounds, Music Producer Polyfreak. We were on a mission to give "Vande Mataram" a modern twist, making it resonate with today's vibe yet keeping its soul intact. The voice that would carry this vision forward? That came from Rupesh Gondhali’s protégé, a student with the kind of voice that makes you stop and listen.​But what's a song without some moves? Choreographer Sandy Prajapati and a lively crew of dancers jumped in, adding layers of motion to our vision. They turned our music into a dance, making sure every spin and leap looked just as good from every angle.
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Creating this film was like a mini-festival in itself. People poured in, offering their talents for free, all for the love of creating something memorable. Looking back, I can't help but feel proud. This project wasn't just a step into the world of 360-degree video for me; it was a leap. And definitely one of the shining moments of my career.